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Recent Posts
- September Changes to Estates Practice: Enduring Powers of Attorney and Representation Agreements
- Patent Assignment: Distinguishing Trolls from Legitimate Assignees, Part 2
- Patent Assignment: Distinguishing Trolls from Legitimate Assignees, Part 1
- Patent Assignment: Trolling the Gap between Potential and Actual Usefulness
- Privacy between Private Parties and the Disclosure of Information
- IP Litigation as a(n Illegal) Business Model
- Music for a Pound, or a Pound of Flesh?
- Lawyers and iPhones (and iPads) Shouldn’t Mix
- RoB Magazine declares victory on the Smartphone Plains of Abraham
- Research in Motion’s Opportunity to Promulgate Freedom
- Bill C-32: The Latest Attempt to Amend the Copyright Act
- Interpreting the NHL and the disallowed Sedin goal
- The Speciation of Web Sites
- Library Manifesto
- Technology (law) is everywhere!
- How to save a drowning business
- Information is the Good, the Currency, and the Era
- Opening the Scope of Employee Contribution
- On Virtual Travel
- Who carries your Web 2.0 banner?
Recent Comments
- Jeremy Costin's weblawg.net Patent Assignment: Distinguishing Trolls from Legitimate Assignees, Part 1 on Patent Assignment: Trolling the Gap between Potential and Actual Usefulness
- Ben Gornall on IP Litigation as a(n Illegal) Business Model
- Nimda Sys on Information is the Good, the Currency, and the Era
- Francina Kocaj on Information is the Good, the Currency, and the Era
- David T Michaels on IP Litigation as a(n Illegal) Business Model
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Tag Archives: RIAA
Music for a Pound, or a Pound of Flesh?
Music not shared is music not heard, and a band not shared basks only in obscurity. Gene Simmons regrets not having been more vigilant in his marshaling of the RIAA cavalry back in 2007. A fundamental question is how to monetize an industrialized art form without creating an artificial scarcity that undermines the cultural popularity on which that art form is dependent. Ars Technica has an article this week highlighting the competing views on how to monetize music in the absence of natural scarcity. Continue reading
EU suggests reason and logic behind ACTA
According to the EU, ACTA will ignore “infringing goods [that] are not part of large scale traffic.” ACTA will also not force already taxed enforcement officers “to look for a couple of pirated songs on an i-Pod music player…” Continue reading
Posted in Civil Liberties, Information Technology, Intellectual Property
Tagged ACTA, Civil Liberties, copyfight, copyright, MPAA, RIAA
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RIAA and MPAA hijack the border (or someone like them)
Cyberion, at Tazzu, posted a link to the Vancouver Province story on the threatened border checks (ACTA) on the legitimacy of electronic media. (Cyberion’s post) I had some rather strong feelings, and ranted the following: This is one of the … Continue reading
Posted in Civil Liberties, Information Technology, Intellectual Property
Tagged ACTA, Civil Liberties, copyfight, copyright, DMCA, MPAA, RIAA
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Collective mens rea? Or a lack of musical supply…
Ben Jones of TorrentFreak published an article a couple of weeks ago discussing the 2008 Digital Entertainment Survey in the U.K., in which it was revealed not only that so-called “piracy” is rampant, even among the generally non-criminal element. What’s … Continue reading
Posted in Business Law, Intellectual Property
Tagged copyfight, entertainment survey, licensing, mp3, music, pop culture, RIAA
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Nine Inch Nails in the RIAA’s Coffin
According to Prof. Larry Lessig, Nine Inch Nails’ latest album has been released under Creative Commons. Kudos to Trent Reznor! http://lessig.org/blog/2008/03/nin_goes_cc.html I tried to comment but Prof. Lessig’s blog is giving me some sort of SQL error. Here is my … Continue reading
Posted in Humanities, Information Technology, Intellectual Property
Tagged copyfight, creative commons, Lessig, NIN, Nine Inch Nails, RIAA
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